Kathryn, I really like these - although you should also look to more extreme poses and weight shifts. When your work suffers in this class, it usually has to do with the overall choices you make in the pose - always look to something that may be actually more fleeting than what you are comfortable drawing. That's okay. Your sense of form and proportion are excellent. I like the looseness of these construction lines. The seated figure on the bottom page (left side) is excellent). Try to make more drawings where we see the figure's face - you have a habit of drawing the figure turned away from you more than not. That being said, keep looking for more dynamic poses and keep up the good work.
Kathryn,
ReplyDeleteI really like these - although you should also look to more extreme poses and weight shifts. When your work suffers in this class, it usually has to do with the overall choices you make in the pose - always look to something that may be actually more fleeting than what you are comfortable drawing. That's okay. Your sense of form and proportion are excellent. I like the looseness of these construction lines. The seated figure on the bottom page (left side) is excellent). Try to make more drawings where we see the figure's face - you have a habit of drawing the figure turned away from you more than not.
That being said, keep looking for more dynamic poses and keep up the good work.