Kathryn, I really liked your 2-figure drawings from the Monday class, as well as the bear character. Your process for developing the figure is really good - I would invite you to work a little more as you did with the Ballet Met drawings more, where the construction drawing is seen more as part of the finished drawing and not merely a placeholder armature for heavier lines. I guess the word would be to integrate it all. With the Ballet Met poses, look to more dynamic choices (off the ground and turning more) but these are all solid. Good work.
Kathryn,
ReplyDeleteI really liked your 2-figure drawings from the Monday class, as well as the bear character. Your process for developing the figure is really good - I would invite you to work a little more as you did with the Ballet Met drawings more, where the construction drawing is seen more as part of the finished drawing and not merely a placeholder armature for heavier lines. I guess the word would be to integrate it all.
With the Ballet Met poses, look to more dynamic choices (off the ground and turning more) but these are all solid. Good work.
I love the attention you have payed to the hands in the modern dancers. They are have great form to them!
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